Tonight, I Miss…

Australia.

Denieal calling me Sar-bear and reading her poems in class and the two of us snarking off and drinking beer and not going out enough.

Barry’s kittens grown two sizes every time I came over for dinner, and the fence outside his window, and the way he cooks steaks and kisses with his lips closed.

Allie and Anna. Anna came to visit in New York and drew my portrait. Allie changed her name.

The Strand, the ferry, the beach. Walking to class past row houses with metal fences and tiny lawns and broken balconies.

The accents. God. The warmth.

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I love my partner, I love my job, I love my apartment and my life. And I left Australia too soon. And all of that is true at the same time; it should be impossible, but it isn’t.

Bother.

Portrait Project No. 12

Portrait Project No. 12
2010

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Dear Grand Adventure: To Begin

Dear Grand Adventure,

How to speak about you?

Shall I go chronologically, beginning with a folded bit of paper in Zac’s mailbox, which he opened and read and then turned to me and said, in an endearingly random manner, “Hey, d’y'wanna go to Spain with me?” If so, the story would start there and end, possibly, with our first real cup of coffee in two weeks, from a skateboard-shop-turned-cafe on the north end of Brick Lane in London, across the street from a corset boutique and slew of vintage stores. Or maybe it would end on the plane home as it broke into the storm above New York on Saturday night, or maybe in my bed on Monday morning while we curled around each other and lingered, jet-lagged and wide awake at a dreary 7am.

By city? Then I might talk about how we drank sweet wine our last night in Granada and kept drinking too long for the free tapas plates because we were both so hungry that egg-ham-citrus-fruits-in-mayonnaise and chopped salsa of tomato, celery and squid overcame their own oddness through deep, unexpected satisfaction. We dubbed Granada the “drink for your dinner” town; for every drink you order, they bring you a quarter of a meal for free.

We came into Barcelona on an overnight train, a traveling contraption somewhat like a boat in its obsessive neatness and order, and full of miniature toiletries and miniature spaces for tucking bags and books and bodies.

Then Paris, which exists within a slippery literary space and time. It is impossible to write about without sounding utterly cliched, because it seems that almost all of the cliches are true, that the Paris in reality is only slightly off-printed from the Paris of invention, though with less snobbery and perhaps more kissing.

I could say also that London is the place I should have moved to if I’d gone down a road only slightly different than the one I’m currently on.

How to list you, dear trip?

By day? By moment? By object, artwork, meal or landmark? There is too much.

I returned to find that yesterday was Femquake, a day that, as I understand it, is meant to unite Boobquake and Brainquake, serving as a reminder that the self-agency of feminists (and all peoples) includes the right to claim both sexiness and intelligence as legitimate, complimentary and empowering personal characteristics. It has sparked some interesting discussion, both positive and negative, and I considered, briefly, engaging with it in some way. Then I thought about it a bit more and realized something was rubbing the wrong way, and it got put off in my whirlwind of back-to-office firefighting, and in the end, really, I forgot.

I know that I fit many definitions of sexy. I also know I don’t fit many others, and it is a toss-up day to day on how my confidence stacks against my misgivings. While the original concept wasn’t intended to be necessarily interpreted as an invitation to show off my body, it did link to such an invitation and was easily interpreted that way. (Hence, I suspect, much of the misgiving it and the related quakes have caused.)

The thing is, I don’t know that a sexy pose or a low-cut shirt or a cute photo would make me feel particularly good about my sexuality. Ah, there it is. It is the idea that being proud of my sexual agency is the same thing as being proud of my body. Which, for me, is wrong.

That is of course not really the issue and I would encourage you to read the actual descriptions of Boob, Brain and Fem, as I have gone down a completely tangential road from the original (admirable, valuable) purpose of the terms/days/movements/quakes/slightly-snarky-experiments.

The showcasing of self-empowered sexual agency (which I have in abundance) is not the same as the showcasing of confidence in one’s physical appearance as it directly relates to sex appeal (which I struggle with on an ongoing basis). In essence, what I’m trying to say is that I find it tricky that a necessary, unspoken requirement of being sexually confident, empowered and capable is being physically sexy. Of course the two are linked, but the concept that my sexual agency relies directly upon my physical form is not one that I especially dig, so to speak.

Or perhaps what I’m trying to say is that I didn’t feel especially sexy on my recent grand adventure. But I did have consistent, satisfying, joyful, communicative and confident sex. Because, y’know, sexuality is complicated, and many things that we subconsciously believe to be mutually exclusive are in fact completely possible side-by-side. Like self-directed passion functioning within a corporate structure, or lawyers with souls, or girls who think they’re fat still having good sex.

Enough now. More lists to come.

13-Hour Workday Hat

Some new projects and work, and I’m pulling long hours; over 13 a day and I call it a shocker. Shockers mean my typing goes funny and my brain turns to eggs. (The original title of this post was “13hour Wordkay HAt.” Seriously.)

When my brain’s like that, all I can really do is crochet. It’s repetitive, it’s soothing, it requires no higher brain functions and barely any muscle control. So these days when I work a lot, I generate hats. They bob up in my wake, the result of one-too-many late night subway rides.

The newest hat, below. It is 20s-themed and pleases me.

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Oh, and sleep. Sleep pleases me very much…

PMC Snapshot

Here’s my latest jewelry piece, a double pendant. The small necklace is rounded and resembles a seashell; the larger is flat, rough at the edges and etched with miniature leaves. These pieces are sort of what I was talking about when I said I was trying to give my Precious Metal Clay sculptures more love and care. I’m trying to return to treating the material as unique and full of quirky texture, instead of manipulating it to mimic other types of silver jewelry.

One Year Ago Today

Saturday was perfect, like a rose-quartz jewel. Today we are like vases full of sea water. We got smashed and all our happy days poured out.

That was my tweet from one year ago, today. Today, right now, almost to the very hour, is precisely one year since Meitar and I broke up. I don’t remember very much from that night, though I remember the days before it with a vivid, surrealist wash of color that almost defies description.

From that night, I remember I went to bed angry. I slept on the living room floor. In all the four years we dated, I had never gone to bed angry before. We made a point of it. Perhaps that was our undoing.

What a year it’s been. Such a year, in fact, that as I sit here at my desk attempting something like nostalgia, very little comes to mind. Somewhere, amidst moving and working and massive personal change, I lost my anger at the whole mixed up mess. I lost a lot of fragility and delicacy and care, which I needed when I was putting myself back together and don’t need now that I am much more whole. What I feel, looking back a year later, is only a vague sense of compassion.

I will probably never tell the full truth on the Internet, I now realize. And I will probably guard the ways in which I speak about this time in my life, for a myriad of reasons that go far beyond one simple messy breakup, that are mostly to do with not wanting to further passive-aggressive behavior within my life. I do not currently subscribe to the public airing of specific grievances, though I have in the past and may in the future.

I have been reading research on happiness, which has been speaking to me of many things I already believed in, such as the possibility of being partially genetically predisposed to a happy mental attitude.

It is a curious thing. Despite being stressed to almost breaking by a dozen different tasks a day, and despite the stagnation of words and paint, and despite my laptop crashing to death last night and taking with it three months of photographs (though not documents, thank goodness), and despite being underslept and over caffeinated, despite all of the still-messy bits of my life, I am content. And beyond that, happy. Happy in a way that makes me laugh for no reason and paint my toenails blue. Happy in a way that builds.

There’s the one-year reflection, the simple truth. And I don’t write very much about my life right now, because what’s there to write, really, when the beginning, middle, and end is just that bloody boring?

Clearly, what’s to write is fiction. I have a writing group again. For joy, for joy, for joy.

Art: Portrait Project No. 11

Portrait Project No. 11
2009

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Portrait Project No. 11

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Note: My little brother. Who…got big?

Art: Portrait Project No. 10

Portrait Project No. 10
2009

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Portrait Project No. 10

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Note: This image is part of an ongoing series of portraits of my loved ones. Unless otherwise specified in the comments field by the subject of the work, please do not share the name of this person in your commentary; they may not want their name linked with their face. Best, Sara.

Additional Note: Yes, you may have seen this guy before.

Art: Portrait Project No. 9

Portrait Project No. 9
2009

Note: This image is part of an ongoing series of portraits of my loved ones. Unless otherwise specified in the comments field by the subject of the work, please do not share the name of this person in your commentary; they may not want their name linked with their face. Best, Sara.

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Portrait Project No. 10

Art: Portrait Project No. 8

Portrait Project No. 8
2009

Note: This image is part of an ongoing series of portraits of my loved ones. Unless otherwise specified in the comments field by the subject of the work, please do not share the name of this person in your commentary; they may not want their name linked with their face. Best, Sara.

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Portrait Project No 8

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This portrait is different! I mean, besides the breasts. But they’re part of it. Er, obviously.

This drawing is a hold-over from the last time I was doing portraits, almost 2 years ago. When I started the new round of portraits, I realized a) I’d never colored this piece, and b) the subject already thought it was spiffy. Oh, and c) subject has NO good pictures of herself online. (Wtf, subject?)

Er, yes. Besides differences in quality of line and likeness that perhaps only I can see, the key difference is that this portrait had no photo source, unlike the current round. It came from my head, caricature fashion.

Part of me is still convinced that using photos as source material is cheating. Cheating what? I’m not sure. But it’s certainly easier for me to translate photos to paper than it is for me to make my friends sit still long enough to draw them.

Anyway. Glad to be doing more of these, and have about 10 stacked up to finish coloring. More art shall be.